{"title":"Books","description":"","products":[{"product_id":"discovering-dobel-by-christopher-heathcote","title":"Discovering Dobell by Christopher Heathcote","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eDiscovering Dobell\u003c\/em\u003e\u003cspan class=\"apple-converted-space\"\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/span\u003eoffers an intimate glimpse of William Dobell, one of Australia’s most important 20th century artists, whose heart remained anchored in the daily life of everyday people, from the streets of Depression-raked London to Sydney’s Kings Cross.\u003c\/p\u003e\n\u003cp\u003eIn association with Wakefield Press, the Museum has produced a major publication to accompany the exhibition \u003cmeta charset=\"utf-8\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDiscovering Dobell,\u003c\/em\u003e\u003cspan class=\"apple-converted-space\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e \u003c\/i\u003e\u003c\/span\u003efeaturing a new insightful analysis and appraisal of Dobell’s achievement by Christopher Heathcote.\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eAbout the author: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChristopher Heathcote, one of Australia’s foremost art critics, has written extensively on a broad range of creators – from Arthur Boyd and Edvard Munch to Virginia Woolf and Michelangelo Antonioni. An authority in twentieth-century culture, he is the author of several books including the highly acclaimed \u003cem\u003eInside the Art Market: Australia’s galleries 1956–1976\u003c\/em\u003e, as well as \u003cem\u003eA Quiet Revolution: The rise of Australian art 1946–1968\u003c\/em\u003e, considered the definitive account of the period. Dr Heathcote has also written several artist monographs, including \u003cem\u003eA Quest for Enlightenment: The art of Roger Kemp\u003c\/em\u003e and the groundbreaking \u003cem\u003eRussell Drysdale: Defining the modern Australian landscape\u003c\/em\u003e, which was published jointly by the Tarrawarra Museum of Art and Wakefield Press. He is a regular contributor to the current affairs journal \u003cem\u003eQuadrant\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003ePages: \u003c\/strong\u003e112 pages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e29.5 x 27 cm\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":34515228459159,"sku":"","price":15.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/products\/Discovering_Dobell_Jacket_AW5.jpg?v=1591084665"},{"product_id":"welcome-to-country-by-aunty-joy-murphy-and-lisa-kennedy","title":"Welcome to Country by Aunty Joy Murphy and Lisa Kennedy","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAn Aboriginal ceremony of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWelcome to Country\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis depicted for the first time in a stunning board book from two Indigenous Australians.\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWelcome to the lands of the Wurundjeri people. The people are part of the land, and the land is a part of them. Aboriginal communities across Australia have boundaries that are defined by mountain ranges and waterways. Traditionally, to cross these boundaries, permission is required. Each community has its own way of greeting, but the practice shares a common name: a Welcome to Country. Aunty Joy Murphy Wandin, the senior Aboriginal elder of the Wurundjeri people, channels her passion for storytelling into a remarkable and utterly unique picture book that invites readers to discover some of the history and traditions of her people.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIndigenous artist Lisa Kennedy gives the Wurundjeri Welcome to Country form in beautiful paintings rich with blues and browns, as full of wonder and history as the tradition they depict.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAbout the Author\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJoy Murphy Wandin is a storyteller and writer who is passionate about using stories to bring people together and as a conduit for understanding aboriginal culture. She is an Officer of the Order of Australia.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWelcome to Country\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis her first book. Aunty Joy lives in Victoria, Australia.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAbout the illustrator:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLisa Kennedy is a descendant of the Trawlwoolway People on the north-east coast of Tasmania. Lisa was born in Melbourne and as a child lived close to the Maribyrnong River. Here she experienced the gradual restoration of the natural river environment alongside cultural regeneration and reclamation. Through sense of place she feels connected to the Wurundjeri country and all that entails – the water, the land, the animals and the ancestors. The experience of loss and reclamation is embedded in her work. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWelcome to Country\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e was her first title with Walker Books.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHardcover:\u003c\/strong\u003e 26 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e22.3 x 19.3 x 2.0 cm\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":34838614048919,"sku":"","price":27.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/products\/welcome-to-country.jpg?v=1593668691"},{"product_id":"wilam-a-birrarung-story-by-aunty-joy-murphy-andrew-kelly","title":"Wilam: A Birrarung Story by Aunty Joy Murphy \u0026 Andrew Kelly","description":"\u003cp\u003eIn this stunning picture book beautifully given form by Indigenous artist Lisa Kennedy, respected Elder Aunty Joy Murphy and Yarra Riverkeeper Andrew Kelly tell the story of one day in the life of the vital, flourishing Birrarung (Yarra river).\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eAs ngua rises, Bunjil soars over mountain ash, flying higher and higher as the wind warms. Below, Birrarung begins its long winding path down to palem warreen. Wilam – home.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eYarra Riverkeeper Andrew Kelly joins award-winning picture book duo Aunty Joy Murphy and Lisa Kennedy to tell the Indigenous and geographical story of Melbourne’s beautiful Yarra river, from its source to its mouth; from its pre-history to the present day.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAn ode to Australian rivers, the flora and fauna that live on them, and the function they perform as a part of modern day life.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci\u003eWilam\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ebrings Aboriginal life, culture and language right in to the heart of the city.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eFrom an award-winning team of the bestselling\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eWelcome to Country\u003c\/i\u003e, and Yarra Riverkeeper and award-winning author Andrew Kelly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb\u003eAbout the Authors\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eAunty Joy Murphy is a respected Wurundjeri Elder and author of \u003ci\u003eWelcome to Country\u003c\/i\u003e. Andrew Kelly is the Yarra Riverkeeper, part of an international organisation of Riverkeepers. He has written numerous books for children and adults.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Illustrator\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eLisa Kennedy is a descendant of the Trawlwoolway People on the north-east coast of Tasmania. Lisa was born in Melbourne and as a child lived close to the Maribyrnong River. Here she experienced the gradual restoration of the natural river environment alongside cultural regeneration and reclamation. Through sense of place she feels connected to the Wurundjeri country and all that entails – the water, the land, the animals and the ancestors. The experience of loss and reclamation is embedded in her work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardcover:\u003c\/strong\u003e 40 pages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e25.5 x 29.4  x 0.7 cm\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":39371431477399,"sku":"","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/products\/WilamABirrarungStory.jpg?v=1614656876"},{"product_id":"found-by-bruce-pascoe","title":"Found by Bruce Pascoe and illustrated by Charmaine Ledden-Lewis","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eWinner of the Kestin Indigenous Illustrator Award\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis gentle story set in the rugged Australian bush is about a small calf who becomes separated from his family. The little calf is alone and simply wants his mother, sisters and brothers. He can see other animals, and after running to the river, manages to ask some horses if they are his family. The calf's family have been taken away in the back of a noisy truck. 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These differ from conventional dedicatory texts not only in their content but in their arrangement and distribution, which characteristically operate at a scale where reading and treading elide.\u003c\/p\u003e\n\u003cp\u003eSean Hogan,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSignature\u003c\/em\u003e’s designer and Paul Carter were drawn to this book project by the challenge of putting writing designed to be ‘outside the book’ into a physical format whose unit was the page and whose conventional organisation was linear.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSignature\u003c\/em\u003e is a unique collaboration between poetry, place and graphic design. Created at the intersection between voice and architecture, it reanimates the meaning of volume.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the author: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePaul Carter is a highly acclaimed writer, artist and interdisciplinary scholar. His book \u003ci\u003eThe Road to Botany Bay\u003c\/i\u003e and his artwork \u003ci\u003eNearamnew\u003c\/i\u003e (at Federation Square, Melbourne) are particularly well-known. He is Creative Director of the design studio Material Thinking (established 2007), and Professor of Design (Urbanism) in the School of Architecture \u0026amp; Design, RMIT University.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardcover:\u003c\/strong\u003e 208 pages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e21 x 27 cm \u003c\/p\u003e\n\u003c\/div\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":39371736023191,"sku":"","price":80.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/products\/Signature-Paul-Carter_1024x1024_de1f87ac-7d59-46de-8bb4-be6a2e853e16.jpg?v=1614659115"},{"product_id":"slow-down-world-by-tai-snaith","title":"Slow Down World by Tai Snaith","description":"\u003cspan data-mce-fragment=\"1\"\u003ePublished by Thames and Hudson, \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSlow Down, World\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eis the much anticipated third book from the author of the highly successful The Family Hour in Australia, Tai Snaith; a timely reminder for children and adults alike to slow down, stop and appreciate the world around us.\u003c\/span\u003e\n\u003cdiv class=\"line-break\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom a fast-paced metropolis to the greener, magical places of a young girl’s imagination, \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSlow Down, World\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eis a whimsical journey towards mindfulness. Charmingly illustrated and written from the heart, Tai Snaith captures the beauty of the slower things in life. Meet Tai and learn about her process though this visually stunning children’s book using clay as her medium to create the characters and scenery. By using clay it reminded Tai herself to slow down and be in the moment.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardcover:\u003c\/strong\u003e 34 pages\u003c\/p\u003e\n\u003cp\u003eDimensions: 23 x 25.5 x 0.7 cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":39372151128215,"sku":"","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/products\/Tai_Snaith__Slow_Down_World_cover.jpg?v=1614661723"},{"product_id":"coming-home-to-country-by-bronwyn-bancroft","title":"Coming Home To Country by Bronwyn Bancroft","description":"\u003cp\u003eBronwyn Bancroft’s love and respect for her Country shines in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eComing Home to Country\u003c\/em\u003e. There are few words in this book – a sentence per page – but they are carefully chosen words and I got goosebumps more than once. As Bancroft explores her Country’s ancient history – the colours, the smells and the sounds – you really feel it all as you read. On one page she lies on her back to watch the clouds skirmish and ‘feasts on the poetry of each intricate image’. I immediately wanted to put the book down and go outside to do the same. The illustrations are everything we’ve come to expect from Bancroft, they are stunning and true representations of Country and its spirit, bright and bold, and delicate and intricate all at once.\u003c\/p\u003e\n\u003cp\u003eNow, more than ever, we need to consider our connection to the land we stand upon all too briefly and leave to those who will follow after us.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eComing Home to Country\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis perfect for helping us to do just that. For ages 2+.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in Tenterfield, northern New South Wales, Bronwyn Bancroft is a descendant of the Djanbun clan of the Bundjalung nation. Bronwyn is a leading Indigenous artist, illustrator and art administrator whose work is held at the National Gallery of Australia, the Art Gallery of New South Wales and the Australian Museum. Bronwyn has illustrated several award-winning books for children and she has a long history of involvement in community activism.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardcover:\u003c\/strong\u003e 24 pages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 27 x 22 x 0.7 cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":39372316639383,"sku":"","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/products\/Hometocountry.jpg?v=1614663926"},{"product_id":"copy-of-looking-glass-judy-watson-and-yhonnie-scarce-by-tarrawarra-museum-of-art","title":"Judy Watson by Geraldine Barlow, Hetti Perkins and Jonathan Watkins for Ikon Gallery","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePublished alongside the most comprehensive UK exhibition to date by Australian Aboriginal artist Judy Watson (b.1959), as part of an international tour developed in partnership with TarraWarra Museum of Art\u003ca href=\"https:\/\/www.twma.com.au\/\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.twma.com.au\/\"\u003e,\u003c\/a\u003e Healesville, Australia.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBorn in Mundubbera, Queensland, Watson derives inspiration from her matrilineal Waanyi heritage, often conveyed through collective memory, using it as a foil for the archival research that informs much of her practice. The latter spells out an unceasing and institutional discrimination against Aboriginal people, described by curatorial advisor Hetti Perkins as ‘Australia’s ‘secret war’.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIkon’s exhibition includes new paintings, video and sculptural pieces – some made in response to visits she undertook to see British sites of prehistorical significance – which consider a more balanced and sustainable relationship between humanity and the rest of the natural world.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eExhibition supported by the Australian Government through the Australia Council, its arts funding and advisory body, and the Australian High Commission in the United Kingdom.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePublished on the occasion of the exhibition\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eJudy Watson\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eat Ikon Gallery, Birmingham, 4 March – 31 May 2020.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":39489696727191,"sku":"","price":7.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/products\/Judy_watson_ikon.jpg?v=1615417911"},{"product_id":"the-great-forest-by-david-lindenmayer","title":"The Great Forest by David Lindenmayer AO","description":"\u003cp class=\"product-short-description text-large\"\u003eA tribute to an extraordinary landscape now under severe threat. The exquisite photographs reveal the mountain ash forests of central Victoria to be one of Australia's great natural treasures.\u003c\/p\u003e\n\u003cdiv class=\"product-description\"\u003eThe city of Melbourne lies on the edge of a vast plain surrounded by a green and blue mountainous rim, whose hills and peaks are home to the magnificent Mountain Ash, the tallest flowering plant on the planet. 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His widely celebrated picture book, Us Karen, was lauded by Prime Minister Julia Gillard, who launched the book from her Canberra office. After a long career with Victoria Police, building the relationship between police and culturally diverse communities, Richard is now enjoying his dream job of coordinating the settlement of refugees in Melbourne's west - and writing stories.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the illustrator:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn her Melbourne studio, Kyoko works with a range of mediums, such as printmaking, papercut, puppetry, bookbinding and ceramics. On her daily walk with her dog Hank, she likes to imagine the stories of our often-overlooked neighbours, like the weeds, insects and pebbles that fill our everyday lives. Through her work, Kyoko combines her memories of her childhood in Japan with the stories of these tiny neighbours, to endeavour to make sense of the world we live in, and imagine the worlds we cannot see with our own eyes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardcover: \u003c\/strong\u003e31 pages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e16 x 21.5 cm\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":42890519052439,"sku":"","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/products\/original_the_promise_cover.jpg?v=1674709165"},{"product_id":"biennial","title":"TarraWarra Biennial 2025: We Are Eagles catalogue","description":"\u003cp\u003e\u003cstrong\u003eAbout the Exhibition:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"ex-meta\"\u003e\n\u003cdiv class=\"st\"\u003eCURATED BY KIMBERLEY MOULTON (YORTA YORTA)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"format\"\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eTarraWarra Biennial 2025:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eWe Are Eagles\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003eis an exhibition of new and existing works\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eby\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e23 artists and makers from across Australia\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ethat centre regenerative practice and relational connections.\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":200,\"335559740\":360}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eThe title comes from an important political movement in 1938 called The Day of Mourning, held on the 150th anniversary of the colonisation of Australia,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eduring which\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003eAboriginal leaders called for a resolution to be passed against the callous treatment of their people and for full citizenship status and equality. At this gathering the Yorta Yorta\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003evisionary\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003ePastor Sir Doug Nicholls\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003eKCVO OBE\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003estated that;  \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":200,\"335559740\":360}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003e‘\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003ewe do not want chicken-feed … we are not chickens; we are eagles\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e’\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e.\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":200,\"335559740\":360}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eInspired by this assertion of cultural strength and the power to soar in freedom and Ancestral knowing, the exhibition shares cross-cultural knowledge through a conceptual framework of regeneration, the disrupt\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eion of\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003ecoloniality and the restor\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eation\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003eof the mulana (Yorta Yorta for spirit).\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003eThe artists in the Biennial consider the ways in which  knowledge can be renewed\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ethrough creative practice, \u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003eand the spirit of memory, cultural material and place can be restored. This embodied knowledge is a core mechanism that disrupts coloniality and prescribed notions of identity within the Australian imaginary.\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003eHowe\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ever, t\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003ehese interventions are not wholly centered on resistance\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e—\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003ethey recognise multiple truths, self-determination and love that binds us to place and each other,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ebeyond colonial realities\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e. \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":200,\"335559740\":360}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eConnecting across cultures from this continent and beyond its borders, through waterways, community kinships and the stars, to the totemic eagle and\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003eanimals that guide them, the artists share their truth. From critically\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eunpacking\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003ethe collecting histories of museums and current geopolitical realities, to considering the body as an archive of generational wisdom, the works in\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eWe Are Eagles\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003econverge across various temporal spaces to re-story and remember.  \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":200,\"335559740\":360}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003e–Kimberley Moulton (Yorta Yorta), Curator\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":200,\"335559740\":360}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eKimberley Moulton would like to thank Aunty Pam Pedersen, esteemed Elder and daughter of Pastor Sir Doug Nicholls for her support to work with his words.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eWe Are Eagles\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003ealso honours the Wurundjeri\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003eWoi\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ew\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003eurrung people, their trad\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eitional\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003elands on which TarraWarra Museum of Art stands, and their creator Bunjil, the wedge-tailed eagle\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e.\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe artists participating in TarraWarra Biennial 2025 are:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eAncestor, Jack Anselmi, Nathan Beard, Moorina Bonini, Amy Briggs, Maree Clarke, Gunybi Ganambarr, Cynthia Hardie, Nadia Hernández, Lisa Hilli, Iluwanti Ken, Brendan Kennedy, Daniel Riley, Laurel Robinson, Teho Ropeyarn, Shireen Taweel, Lyn Thorpe, Angela Tiatia, wani toaishara, Brooke Wandin, Lisa Waup, Warraba Weatherall, Yaritji Young.\u003c\/p\u003e\n\u003chr\u003eEstablished in 2006, the TarraWarra Biennial is as an experimental and thematic platform for presenting new contemporary and cutting-edge work.\n\u003cp\u003e\u003cspan class=\"TextRun SCXW7576579 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW7576579 BCX0\"\u003eThis project has been\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW7576579 BCX0\"\u003eassisted\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW7576579 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eby the Australian Government through Creative Australia, its principal arts investment and advisory body\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW7576579 BCX0\"\u003e;\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW7576579 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003ethe Victorian Government through Creative Victoria\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW7576579 BCX0\"\u003e; and the Copyright Agency\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW7576579 BCX0\"\u003e’s Cultural Fund\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW7576579 BCX0\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW7576579 BCX0\" data-ccp-props='{\"201341983\":0,\"335559740\":257}'\u003e \u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":43057337303191,"sku":"WAE","price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/thumbnail_22785-TMA-2025-Biennial-catalogue_mockup_DR_2_2.jpg?v=1747374108"},{"product_id":"copy-of-a-book-of-encounters-robert-owen-by-perimeter-editions","title":"Coranderrk, We Will Show The Country by Giordano Nanni and Andrea James","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis book tells the story of one of the first sustained campaigns for justice, land rights and self-determination and provides a superb example of how to share history with a wide audience. Extended collaboration was the crucible for the skillful melding of scholarship, performance and Aboriginal knowledge. Using the highly popular verbatim-theatre, professional actors bring to life those who testified at the 1881 Inquiry, allowing them to speak to a contemporary audience. In this way, some of the Aboriginal witnesses are rescued from dusty archives, and are again given voice. They include renowned Wurundjeri leader, William Barak. Adept at writing, skilled at negotiation and resistance, and rightly proud of their culture and their success in their farming ventures, it is impossible not to be inspired by the men, women and children who petitioned the colonial Government. Here they are heard alongside their non-Aboriginal allies -- and the Aboriginal Protection Board members who opposed them. Coranderrk derives from the Ilbijerri Theatre's production, with extensive consultation with descendants of the Coranderrk community.  Belvoir Theatre in Sydney will feature the play during December 2013 and January 2014. Using Aboriginal people's first-person testimonies (members of the Kulin clans and beyond) and the non-Aboriginal witnesses, Coranderrk reveals how the process of working between history and theatre can promote education. An historical introduction provides a window onto the events which led to the establishment of the Coranderrk community, the protest campaign that sparked the 1881 Parliamentary Inquiry, and the consequences and aftermath of that Inquiry. In doing so it provides a deeper and more accurate understanding of our shared colonial past. Supplementing the historical introduction and extracts are biographies of the witnesses, and a range of historical images and stills from the theatrical production.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback:\u003c\/strong\u003e 176 pages\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 23.0cm x 18.8cm\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":43093212299415,"sku":"","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/book_coranderrk.jpg?v=1683692241"},{"product_id":"tarrawarra-biennial-2023-ua-usiusi-faʻavaʻasavili-by-tarrawarra-museum-of-art","title":"TarraWarra Biennial 2023: ua usiusi faʻavaʻasavili by TarraWarra Museum of Art","description":"\u003cp\u003eTo accompany the \u003cem\u003eTarraWarra Biennial 2023:\u003c\/em\u003e\u003cem\u003e ua usiusi faʻavaʻasavili\u003c\/em\u003e , TarraWarra Museum of Art has published a major new 144-page hardback publication, richly illustrated with all of the artworks featured in the exhibition. The catalogue includes essays by Brooke Wandin, Dr Jolene Rickard, Lisa Hilli, and a curatorial essay by Dr. Léuli Eshrāgi, along with artist biographies and an exhibition checklist.  \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAbout the Exhibition:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe TarraWarra Biennial 2023 \u003cem data-mce-fragment=\"1\"\u003eua usiusi faʻavaʻasavili\u003c\/em\u003e curated by Dr. Léuli Eshrāgi, \u003c\/span\u003e\u003cspan\u003e1 April–16 July 2023, features newly commissioned works by 15 artists\/artist groups focused on the interconnectedness of the peoples of Australia, Asia and the Great Ocean.\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003cem\u003e.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe artists participating in TarraWarra Biennial 2023 include:\u003c\/strong\u003e\u003cbr\u003eRegina Pilawuk Wilson (Ngan’gikurunggurr, Marrithyel); Vicki West (trawlwoolway); Sonja Carmichael (Quandamooka) and Elisa Jane Carmichael (Quandamooka); The Unbound Collective: Ali Gumillya Baker (Mirning), Faye Rosas Blanch (Mbararam, Yidinyji), Natalie Harkin (Narungga), Simone Ulalka Tur (Yankunytjatjara); Jenna Lee (Gulumerridjin, Wardaman, KarraJarri); Abdul-Rahman Abdullah; Hoda Afshar; Elyas Alavi; Torika Bolatagici; Dr Kirsten Lyttle (Tainui Waikato); Phuong Ngo; Bhenji Ra; David Sequeira; Sancintya Mohini Simpson; and Dr Leyla Stevens.\u003c\/p\u003e\n\u003ch6\u003eThis project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body; and supported by the Victorian Government through Creative Victoria; Creative Partnerships Australia through Plus1; and the Copyright Agency’s Cultural Fund.\u003c\/h6\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":43101254942871,"sku":"","price":15.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/biennial23cover.jpg?v=1684198692"},{"product_id":"patricia-piccinini-joy-hester-tarrawarra-museum-of-art-exhibition-catalogue","title":"Patricia Piccinini \u0026 Joy Hester - TarraWarra Museum of Art exhibition catalogue","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThis beautiful 128-page hardcover exhibition catalogue features essays and images from the TarraWarra Museum of Art past exhibition:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePatricia Piccinini \u0026amp; Joy Hester: Through love …\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"ex-meta\"\u003e\n\u003cdiv class=\"st\"\u003eCURATED BY VICTORIA LYNN\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"format\"\u003e\n\u003cp\u003e\u003cem\u003ePatricia Piccinini \u0026amp; Joy Hester: Through love …\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ereveals the shared explorations of love, intimacy and relationships in the work of two of Australia’s most exceptional artists. This is the first exhibition to explore the conceptual links between the works of Patricia Piccinini and Joy Hester (1940–1960)—an artist whom Piccinini has long admired. Hester’s expressionistic blended figures, drawn with ink on paper, often share an eye, mouth or shoulder. Piccinini’s works intermingle human, non-human and hybrid forms. The works in this exhibition share an interest in various kinds of love as expressed through the coupling of male and female; mother and child; child and animal; and animate and inanimate forms. Love is seen as complex, intimate and entangled.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":43127497883799,"sku":"","price":10.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/Screenshot2023-08-29102950.png?v=1693269006"},{"product_id":"grounded-by-alisa-bryce","title":"Grounded By Alisa Bryce","description":"\u003cp\u003eLife on land could not exist without soil. Almost everything we need can be traced to the soil: food, fibre, medicines – even oxygen produced by plants. What would we be without it? Certainly not a planet worthy of the name Earth.\u003cbr\u003e\u003cbr\u003eThere are already plenty of books about agriculture, ecology or how to grow tomatoes. This book is about the other stuff. Like…\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ehow soil evidence can nail a murderer\u003c\/li\u003e\n\u003cli\u003ethe ingredients that make a Test cricket pitch\u003c\/li\u003e\n\u003cli\u003ehow the soil affects the taste of your favourite wine\u003c\/li\u003e\n\u003cli\u003ethe soil microbes that could be the next wonder drug\u003c\/li\u003e\n\u003cli\u003etips for digging a POW camp escape tunnel (disclaimer: don’t try it at home) or mounting an invasion of Normandy (ditto)\u003c\/li\u003e\n\u003cli\u003ehow to be ecofriendly when you’re dead\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIn the unputdownable Grounded, soil scientist Alisa Bryce gives you the dirt on all this—and much, much more.\u003c\/p\u003e\n\u003cp\u003e\u003cb data-mce-fragment=\"1\"\u003eAbout the Author\u003cbr\u003e\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlisa Bryce is a soil scientist with a BSc in agriculture from the University of Sydney and a Masters from the University of Cambridge. She likes digging holes, analysing soil, playing with soil, writing about soil and patting dogs.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback:\u003c\/strong\u003e 304 pages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e2.3x15.3x23.3\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":43256007360663,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/Grounded-400x612.jpg?v=1692254430"},{"product_id":"boerenzij-the-rural-side","title":"Boerenzij | The Rural Side by Wapke Feenstra","description":"\u003cp\u003eBoerenzij | The Rural Side questions the hegemony of urban culture through encounters with the countryside in the city. This art project created with and by Rotterdammers places rural migration, mindsets, memories, objects and en plein air drawings in the midst of the current gentrification of Rotterdam-Zuid. Boerenzij demands critical awareness of the naturalness with which rural culture is being swallowed up and urbanized worldwide.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBesides texts by Wapke Feenstra and curator and researcher Kevser Güler, the book contains many images such as drawings, film stills and photos of rural objects.\u003c\/p\u003e\n\u003cp\u003e\u003cb data-mce-fragment=\"1\"\u003eAbout the Author\u003cbr\u003e\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003eSince 2003, Feenstra has also been working under the name Myvillages, an international artists' initiative that she co-founded with Kathrin Böhm (DE\/UK) and Antje Schiffers (DE). They work in different configurations and always with local partners.\u003cbr data-mce-fragment=\"1\"\u003eMyvillages' work addresses the relationship between the rural and the urban, looking at different forms of production, preconceptions and power relationships.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback:\u003c\/strong\u003e 192 pages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 20.0 × 26.0\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":43256013750423,"sku":null,"price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/boerenzij-boek-staand.png?v=1692255196"},{"product_id":"8056778358935","title":"The Soils Project: Essays","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eThis booklet is the first of three in a series that will develop over the coming years as The Soils Project continues to unfold. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/products\/the-soils-project-series?utm_source=copyToPasteBoard\u0026amp;amp;utm_medium=product-links\u0026amp;amp;utm_content=web\"\u003e\u003cspan data-contrast=\"auto\"\u003eYou can buy all three booklets for a special bundle price of $40\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eBorn from diverse practices and perspectives, The Soils Project embraces ideas of healing wounds, nurturing soil, creating sustainable relationships and working on restitution and repatriation, all with an ethical approach. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eThe essays included in this booklet introduce the ideas and issues that have arisen from this collaborative project to date. At the heart of this issue is an exploration of the effects of Dutch and British colonisation on land sovereignty, ecology and climate change through the lens of the communities, artists and arts workers who are deeply concerned and directly affected by it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eContained within the pages are deeply insightful and enriching contributions from Zena Cumpston (Barkandji), Victoria Lynn, Struggles for Sovereignty, Charles Esche, Teresa Cos Rebollo, and Rolando Vázquez.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback: \u003c\/strong\u003e52 pages\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e21 x 29.7 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"format\"\u003e\u003c\/div\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":43270702629015,"sku":null,"price":15.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/catalogue.png?v=1693269149"},{"product_id":"the-soils-project-plant-kin-by-zena-cumpston","title":"The Soils Project: Plant kin by Zena Cumpston","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eThis booklet is the second of three publications for The Soils Project.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/products\/the-soils-project-series?utm_source=copyToPasteBoard\u0026amp;utm_medium=product-links\u0026amp;utm_content=web\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan data-contrast=\"auto\"\u003eYou can buy all three booklets for a special bundle price of $40\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003ePlant kin builds upon and continues the explorations of The Soils Project exhibition at TarraWarra Museum of Art. Author, artist, researcher and plant enthusiast Zena Cumpston (Barkandji) has created this publication which explores many aspects of indigenous plants and their cultural significance in the lives of First Peoples over millennia. Plant kin presents research and writing beautifully illuminated through original artworks created especially for this limited-edition publication.\u003c\/p\u003e\n\u003cp\u003eWhilst focusing on plants important to cultural landscapes and biodiversity across Naarm, the plants showcased in Plant kin have a widespread importance and application right across south-eastern Australia and beyond. Presenting plants through a cultural lens, this booklet invites us all into a more intimate relationship with our plant kin, and into a deeper and more connected relationship with Country. By encouraging care and highlighting our shared responsibility to act as custodians of Country we call home, this offering will prompt you to learn, to grow, to carefully watch, and to (hopefully) come into a deeper relationship with, the lands you live upon.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback: \u003c\/strong\u003e36 pages\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e21 x 29.7 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"format\"\u003e\u003c\/div\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":43303845494935,"sku":null,"price":15.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/IMG_0362.jpg?v=1695270593"},{"product_id":"the-soils-project-works","title":"The Soils Project: Works","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eTake The Soils Project home with you!\u003c\/p\u003e\n\u003cp\u003eThis booklet is the third in a series of publications that will develop over the coming years.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/products\/the-soils-project-series?utm_source=copyToPasteBoard\u0026amp;utm_medium=product-links\u0026amp;utm_content=web\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eYou can buy all three booklets for a special bundle price of $40\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe first volume included essays that introduced the ideas and issues that have arisen from this collaborative project to date. The second booklet has been written by Zena Cumpston (Barkandji) on south-east Australian indigenous plants.\u003c\/p\u003e\n\u003cp\u003eThis booklet introduces the works in the exhibition and includes documentation photographs and short statements.\u003cbr\u003e \u003cbr\u003eAt the heart of this project is an exploration of the effects of Dutch and British colonisation on land sovereignty, ecology and climate change through the lens of the communities, artists and arts workers who are deeply concerned and directly affected by it. The complex histories of each location, the multiplicity of landscapes and environments, and the diverse impact of farming, mining, plantations and global industries on cultural heritage, land management and traditional knowledges are of interest to everyone involved. Climate change, and its effects on land management, is also powerfully felt in Europe. This project has engendered a dialogue between practitioners from the so-called First World north and the Global South, through a process of deep listening and learning. Moreover, the diasporic stories within the Netherlands (for example, Indonesian, Mexican, Colombian and Chinese) chime with the \u003cbr\u003ediasporic reality of Australia and speak not only to a sense of dislocation and displacement, but a shared experience of rupture created by climate change.\u003cbr\u003e\u003cbr\u003eThe Soils Project Curatorium thanks the advisors to the project, the artists and communities involved in the project, and the funders, sponsors and arts workers \u003cbr\u003ewho have made it all possible, for their generosity of spirit, support and faith in the project.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eThe Soils Project\u003c\/em\u003e exhibition participants are:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFellows and Artists\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUncle Dave Wandin (Wurundjeri) and Brooke Wandin (Wurundjeri), Wandoon Estate Aboriginal Corporation; Peta Clancy (Bangerang); Megan Cope (Quandamooka) and Keg de Souza; D Harding (Bidjara, Ghungalu and Garingbal); Badan Kajian Pertanahan (Bunga Siagian \u0026amp; Ismal Muntaha); Beyond Walls (Armando Ello, Jeremy Flohr, Glenda Pattipeilohy, Suzanne Rastovac); Wapke Feenstra; Lian Gogali and the Insitut Mosintuwu; Moelyono; Pluriversity weavers: Seynawiku Izquierdo Torres, Dwasimney Del Carmen Izquierdo Torres, Dwanimako Arroyo Izquierdo, María Eufemia Arroyo Izquierdo (Kwarte Umuke community, Sierra Nevada de Santa Marta, Colombia), Ana Bravo Pérez, Aldo Ramos, Aliki van der Kruijs, LI Yuchen; Riar Rizaldi; Yurni Sadariah (member of PEREMPUAN AMAN of Rangan Adat communities); Diewke van den Heuvel; Rolando Vázquez\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAdvisors\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWandoon Estate Aboriginal Corporation, Zena Cumpston (Barkandji), Antariksa, Dr Danny Butt, Dr Helen Hughes, Rolando Vázquez\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-slate-fragment=\"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\"\u003eThis project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body; the Sidney Myer Fund; the Dutch Ministry of Foreign Affairs, through the Embassy of Kingdom of the Netherlands, Australia; the Mondriaan Fund, the public cultural funding organisation focusing on visual arts and cultural heritage; Dutch Culture; and Fasilitasi Bidang Kebudayaan (FBK) Interaksi Budaya, Ministry of Education, Culture, Research, and Technology of Indonesia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body; the Sidney Myer Fund; the Dutch Ministry of Foreign Affairs, through the Embassy of Kingdom of the Netherlands, Australia; the Mondriaan Fund, the Public Cultural Funding Organisation focusing on visual arts and cultural heritage; Dutch culture; and Fasilitasi Bidang Kebudayaan (FBK) Interaksi Budaya, Ministry of Education, Culture, Research, and Technology of Indonesia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback: \u003c\/strong\u003e60 pages\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e21 x 29.7 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"format\"\u003e\u003c\/div\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":43358516904087,"sku":null,"price":15.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/IMG_0407.jpg?v=1697523312"},{"product_id":"the-soils-project-series","title":"The Soils Project booklet series bundle","description":"\u003cp\u003eThis bundle includes x3 TarraWarra Museum of Art exhibition booklets from The Soils Project.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn from diverse practices and perspectives, The Soils Project embraces ideas of healing wounds, nurturing soil, creating sustainable relationships and working on restitution and repatriation, all with an ethical approach. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Soils Project: Essays\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eThe essays included in this booklet introduce the ideas and issues that have arisen from this collaborative project to date. At the heart of this issue is an exploration of the effects of Dutch and British colonisation on land sovereignty, ecology and climate change through the lens of the communities, artists and arts workers who are deeply concerned and directly affected by it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eContained within the pages are deeply insightful and enriching contributions from Zena Cumpston (Barkandji), Victoria Lynn, Struggles for Sovereignty, Charles Esche, Teresa Cos Rebollo, and Rolando Vázquez.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback: \u003c\/strong\u003e52 pages\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e21 x 29.7 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e ----------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cstrong\u003eThe Soils Project: Plant kin by Zena Cumpston\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003ePlant kin builds upon and continues the explorations of The Soils Project exhibition at TarraWarra Museum of Art. Author, artist, researcher and plant enthusiast Zena Cumpston (Barkandji) has created this publication which explores many aspects of indigenous plants and their cultural significance in the lives of First Peoples over millennia. Plant kin presents research and writing beautifully illuminated through original artworks created especially for this limited-edition publication.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback: \u003c\/strong\u003e36 pages\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e21 x 29.7 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e ----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Soils Project: Works\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTake The Soils Project home with you!\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis publication introduces the works in the exhibition and includes documentation photographs and short statements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eThe Soils Project\u003c\/em\u003e exhibition participants are:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFellows and Artists\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUncle Dave Wandin (Wurundjeri) and Brooke Wandin (Wurundjeri), Wandoon Estate Aboriginal Corporation; Peta Clancy (Bangerang); Megan Cope (Quandamooka) and Keg de Souza; D Harding (Bidjara, Ghungalu and Garingbal); Badan Kajian Pertanahan (Bunga Siagian \u0026amp; Ismal Muntaha); Beyond Walls (Armando Ello, Jeremy Flohr, Glenda Pattipeilohy, Suzanne Rastovac); Wapke Feenstra; Lian Gogali and the Insitut Mosintuwu; Moelyono; Pluriversity weavers: Seynawiku Izquierdo Torres, Dwasimney Del Carmen Izquierdo Torres, Dwanimako Arroyo Izquierdo, María Eufemia Arroyo Izquierdo (Kwarte Umuke community, Sierra Nevada de Santa Marta, Colombia), Ana Bravo Pérez, Aldo Ramos, Aliki van der Kruijs, LI Yuchen; Riar Rizaldi; Yurni Sadariah (member of PEREMPUAN AMAN of Rangan Adat communities); Diewke van den Heuvel; Rolando Vázquez\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAdvisors\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWandoon Estate Aboriginal Corporation, Zena Cumpston (Barkandji), Antariksa, Dr Danny Butt, Dr Helen Hughes, Rolando Vázquez\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-slate-fragment=\"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\"\u003eThis project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body; the Sidney Myer Fund; the Dutch Ministry of Foreign Affairs, through the Embassy of Kingdom of the Netherlands, Australia; the Mondriaan Fund, the public cultural funding organisation focusing on visual arts and cultural heritage; Dutch Culture; and Fasilitasi Bidang Kebudayaan (FBK) Interaksi Budaya, Ministry of Education, Culture, Research, and Technology of Indonesia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body; the Sidney Myer Fund; the Dutch Ministry of Foreign Affairs, through the Embassy of Kingdom of the Netherlands, Australia; the Mondriaan Fund, the Public Cultural Funding Organisation focusing on visual arts and cultural heritage; Dutch culture; and Fasilitasi Bidang Kebudayaan (FBK) Interaksi Budaya, Ministry of Education, Culture, Research, and Technology of Indonesia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e60 pages\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e21 x 29.7 cm\u003c\/span\u003e\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":43360461226135,"sku":null,"price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/IMG_0414_3c2e812d-0eda-42cd-ac7a-92cf27bfe59e.jpg?v=1697590418"},{"product_id":"brent-harris-surrender-catch-exhibition-catalogue","title":"Brent Harris: Surrender \u0026 Catch exhibition publication","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThis beautiful limited edition 200-page hardback with linen cloth cover exhibition publication features essays and images from the TarraWarra Museum of Art \u003cspan data-mce-fragment=\"1\"\u003eco-presented with the Art Gallery of South Australia \u003c\/span\u003eexhibition, \u003cem\u003eBrent Harris: Surrender and Catch \u003c\/em\u003ecurated by Maria Zagala.\u003c\/p\u003e\n\u003cdiv class=\"ex-meta\"\u003e\n\u003cdiv class=\"st\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"format\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBrent Harris: Surrender \u0026amp; Catch seeks to map the ways in which Harris’s art has developed over the past four decades. It presents an overview of Harris’s career, and through a number of in-depth essays explores critical aspects of Harris’s complex and layered work. The contributors employ a range of interpretive modes and formats to apprehend Harris’s art: from analysis of one work, methodology or theme, to interview. These approaches provide new insights into Harris’s practice and contribute to the growing literature on the artist.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe essays include Maria Zagala’s overview of Harris’s development; Anthony Fitzpatrick’s in-depth reading of a key work – I Weep My Mother’s Breasts from 1996; Cathy Leahy’s interview with Harris’s long-term printer John Loane of Viridian Press; Dr Helen Hughes’s exploration of the motivating impulse behind Harris’s citation of artistic sources; and Dr Laurence Simmons psychoanalytic reading of Harris’s iconography, in particular the rich theme of the monstrous. The book reprints two important essays – one by James Mollison on Harris’s early series Bubbles, Just a Feeling and Sleep, 2004, and the other by the artist on the personal significance of Colin McCahon’s painting The Family, 1947. An illustrated chronology by Tim Riley Walsh offers a detailed timeline of the artist’s life. These essays will provide a rich context through which to view the comprehensive illustrations, featured in the book.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAuthor: Maria Zagala with essays by:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnthony Fitzpatrick (Curator at TarraWarra Museum of Art); Dr Helen Hughes (Deputy Head, Department of Fine Art, and Senior Lecturer, Art History \u0026amp; Theory, Curatorial Practice at Monash University); Cathy Leahy (Senior Curator of Prints \u0026amp; Drawings, National Gallery of Victoria); James Mollison, AO (1931–2020), founding Director, National Gallery of Australia (1971–89) and Director, National Gallery of Victoria (1989–95); Dr Laurence Simmons, Professor of Film Studies at the University of Auckland; Tim Riley Walsh is Assistant Curator at the Museum of Contemporary Art, Sydney\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ehardback with linen cloth cover\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e200 pages, 280 x 220 mm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e300+ full-colour illustrations, including illustrated checklist\u003c\/p\u003e\n\u003c\/div\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":43496119992471,"sku":null,"price":59.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/AGSA_Store_ProductShoot_Nov62023_6916_HiRes.jpg?v=1702598234"},{"product_id":"first-knowledges-country-bill-gammage-bruce-pascoe","title":"First Knowledges \/ Country - Bill Gammage \u0026 Bruce Pascoe","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCountry: Future Fires, Future Farming \u003c\/strong\u003e\u003c\/em\u003eby Bill Gammage \u0026amp; Bruce Pascoe\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe\u003cstrong\u003e \u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003eFirst Knowledges\u003c\/strong\u003e\u003c\/em\u003e series offers an introduction to Indigenous knowledges in vital areas and their application to the present day and the future. Exploring practices such as architecture and design, land management, botany, astronomy and law, this book series brings together two very different ways of understanding the natural world: one ancient, the other modern. The third book focuses on land and fire management.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor millennia, Indigenous Australians harvested this continent in ways that can offer contemporary environmental and economic solutions.\u003c\/p\u003e\n\u003cp\u003eBill Gammage and Bruce Pascoe demonstrate how Aboriginal people cultivated the land through manipulation of water flows, vegetation and firestick practice. Not solely hunters and gatherers, the First Australians also farmed and stored food. They employed complex seasonal fire programs that protected Country and animals alike. In doing so, they avoided the killer fires that we fear today.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eCountry: Future Fire, Future Farming\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ehighlights the consequences of ignoring this deep history and living in unsustainable ways. It details the remarkable agricultural and land-care techniques of First Nations peoples and shows how such practices are needed now more than ever.\u003c\/p\u003e\n\u003cp\u003e'This is essential reading for anyone interested in the well-being and the future of our country\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e'\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e—\u003c\/i\u003e Peter Yu Am\u003c\/p\u003e\n\u003cp\u003e'A unique collaboration - subtle, passionate and important.' \u003ci data-mce-fragment=\"1\"\u003e— \u003c\/i\u003eKate Grenville Ao\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBill Gammage\u003c\/strong\u003e i\u003cspan data-mce-fragment=\"1\"\u003es a historian and adjunct professor in the Humanities Research Centre at the Australian National University. He is best known as author of the ground-breaking \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Broken Years: Australian Soldiers in the Great War\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eand really important work about Aboriginal landscaping management of Australia \u003cem\u003eThe Biggest Estate on Earth: How Aborigines Made Australia. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBruce Pascoe\u003c\/strong\u003e\u003cspan\u003e is a Bunurong man born in Melbourne, and writer of literary fiction, non-fiction, poetry, essays and children's literature. He is a professor at the Jumbunna Institute for Indigenous Education \u0026amp; Research at the University of Technology Sydney.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHis bestselling book Dark Emu \u003c\/span\u003ewa\u003cspan\u003es Book of the Year at the NSW Premier's Literary Awards 2016, as well as being shortlisted for numerous other awards. He is also the author \u003c\/span\u003eof \u003cem\u003eYoung Dark Emu: A Truer History \u003c\/em\u003e\u003cspan\u003epublished in June 2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the series: \u003c\/strong\u003eEach book is a collaboration between Indigenous and non-Indigenous writers and editors; the series is edited by Margo Neale, senior Indigenous curator at the National Museum of Australia.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitles in the series include:\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eSonglines\u003c\/em\u003e by Margo Neale \u0026amp; Lynne Kelly (2020)\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eDesign\u003c\/em\u003e by Alison Page and Paul Memmott (2021)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-country-bill-gammage-bruce-pascoe\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cem data-mce-fragment=\"1\"\u003eCountry\u003c\/em\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-country-bill-gammage-bruce-pascoe\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003c\/a\u003eby Bill Gammage \u0026amp; Bruce Pascoe (2021)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-astronomy-karlie-noon-krystal-de-napoli\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAstronomy\u003c\/em\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-astronomy-karlie-noon-krystal-de-napoli\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003c\/a\u003eby Karlie Noon \u0026amp; Krystal De Napoli (2022)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-plants-zena-cumpston-michael-shawn-fletcher-lesley-head\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePlants\u003c\/em\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-plants-zena-cumpston-michael-shawn-fletcher-lesley-head\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003c\/a\u003eby Zena Cumpston, Michael Fletcher \u0026amp; Lesley Head (2022)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eLaw\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eby Marcia Langton and Aaron Corn (2023)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-innovation-ian-j-mcniven-and-lynette-russell-1\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cem data-mce-fragment=\"1\"\u003eInnovation\u003c\/em\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-innovation-ian-j-mcniven-and-lynette-russell-1\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003c\/a\u003eby Ian J McNiven \u0026amp; Lynette Russell (2023)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e244 \u003c\/span\u003epages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e20cm x 13cm\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":43663029371031,"sku":null,"price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/Country_2.webp?v=1707104637"},{"product_id":"first-knowledges-astronomy-karlie-noon-krystal-de-napoli","title":"First Knowledges \/ Astronomy - Karlie Noon \u0026 Krystal De Napoli","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAstronomy: Sky Country\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003eby Karlie Noon \u0026amp; Krystal De Napoli\u003c\/p\u003e\n\u003cp\u003eThe\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFirst Knowledges\u003c\/em\u003e\u003c\/strong\u003e series offers an introduction to Indigenous knowledges in vital areas and their application to the present day and the future. Exploring practices such as architecture and design, land management, botany, astronomy and law, this book series brings together two very different ways of understanding the natural world: one ancient, the other modern. This fourth book focuses on Aboriginal knowledge of the night skies and its connection to Country.\u003c\/p\u003e\n\u003cp\u003eWhat do you need to know to prosper for 65,000 years or more? The First Knowledges series provides a deeper understanding of the expertise and ingenuity of Indigenous Australians.\u003c\/p\u003e\n\u003cp\u003eAboriginal and Torres Strait Islander people are the oldest scientists in human history.\u003c\/p\u003e\n\u003cp\u003eMany First Peoples regard the land as a reflection of the sky and the sky a reflection of the land. Sophisticated astronomical expertise embedded within the Dreaming and Songlines is interwoven into a deep understanding of changes on the land, such as weather patterns and seasonal shifts, that are integral to knowledges of time, food availability, and ceremony.\u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003eAstronomy: Sky Country, \u003c\/em\u003eKarlie Noon and Krystal De Napoli explore the connections between Aboriginal environmental and cultural practices and the behaviour of the stars, and consider what must be done to sustain our dark skies, and the information they hold, into the future.\u003c\/p\u003e\n\u003cp\u003eA chance for readers to see the universe through a new lens – in the eyes of to emerging Indigenous scientists – and to learn how we should share first knowledges for a better future.' \u003cem\u003e—\u003c\/em\u003e Brian Schmidt\u003c\/p\u003e\n\u003cp\u003e'Aboriginal people… have always shared relationships with the land, sea and sky… This much-needed book is the tip of the iceberg of what we are learning about the world’s First Scientists… Go out, find out more, talk and listen to elders and knowledge keepers.' \u003cem\u003e— \u003c\/em\u003eCorey Tutt\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKarlie Noon\u003c\/strong\u003e is a Gamilaraay astronomer and science communicator who has worked with audiences around the country for the past ten years promoting Indigenous astronomical knowledge systems and advocating for more women in STEM. Karlie is the first female Indigenous Australian to graduate with combined degrees in mathematics and science. She holds a Masters of Astronomy and Astrophysics and is currently undertaking a PhD in astrophysics.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKrystal De Napoli\u003c\/strong\u003e is a Kamilaroi educator and astrophysicist devoted to the advocacy of Indigenous knowledges and equity in STEM. She is undertaking an honours degree and researching star formation rates in galaxies. In 2018 Krystal became the first astrophysicist to be awarded the Illumina Women in Genomics bracelet, and she has curated a national public database on Indigenous science for the Australian Council of Deans of Science.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the series: \u003c\/strong\u003eEach book is a collaboration between Indigenous and non-Indigenous writers and editors; the series is edited by Margo Neale, senior Indigenous curator at the National Museum of Australia.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitles in the series include:\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eSonglines\u003c\/em\u003e\u003cspan\u003e by Margo Neale \u0026amp; Lynne Kelly (2020)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eDesign\u003c\/em\u003e by Alison Page and Paul Memmott (2021)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-country-bill-gammage-bruce-pascoe\" target=\"_blank\" data-mce-href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-country-bill-gammage-bruce-pascoe\"\u003e\u003cem data-mce-fragment=\"1\"\u003eCountry\u003c\/em\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-country-bill-gammage-bruce-pascoe\" target=\"_blank\" data-mce-href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-country-bill-gammage-bruce-pascoe\"\u003e \u003c\/a\u003eby Bill Gammage \u0026amp; Bruce Pascoe (2021)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-astronomy-karlie-noon-krystal-de-napoli\" target=\"_blank\" data-mce-href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-astronomy-karlie-noon-krystal-de-napoli\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAstronomy\u003c\/em\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-astronomy-karlie-noon-krystal-de-napoli\" target=\"_blank\" data-mce-href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-astronomy-karlie-noon-krystal-de-napoli\"\u003e \u003c\/a\u003eby Karlie Noon \u0026amp; Krystal De Napoli (2022)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-plants-zena-cumpston-michael-shawn-fletcher-lesley-head\" target=\"_blank\" data-mce-href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-plants-zena-cumpston-michael-shawn-fletcher-lesley-head\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePlants\u003c\/em\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-plants-zena-cumpston-michael-shawn-fletcher-lesley-head\" target=\"_blank\" data-mce-href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-plants-zena-cumpston-michael-shawn-fletcher-lesley-head\"\u003e \u003c\/a\u003eby Zena Cumpston, Michael Fletcher \u0026amp; Lesley Head (2022)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eLaw\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eby Marcia Langton and Aaron Corn (2023)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-innovation-ian-j-mcniven-and-lynette-russell-1\" target=\"_blank\" data-mce-href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-innovation-ian-j-mcniven-and-lynette-russell-1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eInnovation\u003c\/em\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-innovation-ian-j-mcniven-and-lynette-russell-1\" target=\"_blank\" data-mce-href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-innovation-ian-j-mcniven-and-lynette-russell-1\"\u003e \u003c\/a\u003eby Ian J McNiven \u0026amp; Lynette Russell (2023)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback:\u003c\/strong\u003e 224 pages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e20cm x 13cm\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":43663077474455,"sku":null,"price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/Astronomy_1_800x800_570be9ec-9c3d-417a-a72c-4cb021817a6a.webp?v=1707104582"},{"product_id":"first-knowledges-plants-zena-cumpston-michael-shawn-fletcher-lesley-head","title":"First Knowledges \/ Plants - Zena Cumpston, Michael-Shawn Fletcher \u0026 Lesley Head","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003ePlants: Past, Present and Future\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003eby Zena Cumpston, Michael-Shawn Fletcher \u0026amp; Lesley Head\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe\u003cstrong\u003e \u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003eFirst Knowledges\u003c\/strong\u003e\u003c\/em\u003e series offers an introduction to Indigenous knowledges in vital areas and their application to the present day and the future. Exploring practices such as architecture and design, land management, botany, astronomy and law, this book series brings together two very different ways of understanding the natural world: one ancient, the other modern. The fifth book focuses on the uses and cultural significance of plants.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePlants are the foundation of life on Earth. Aboriginal and Torres Strait Islander peoples have always known this to be true.\u003c\/p\u003e\n\u003cp\u003eFor millennia, reciprocal relationships with plants have provided both sustenance to Indigenous communities and many of the materials needed to produce a complex array of technologies. Managed through fire and selective harvesting and replanting, the longevity and intricacy of these partnerships are testament to the ingenuity and depth of Indigenous first knowledges.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePlants: Past, Present and Future\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ecelebrates the deep cultural significance of plants and shows how engaging with this heritage could be the key to a healthier, more sustainable future.\u003c\/p\u003e\n\u003cp\u003e‘\u003ci\u003ePlants: Past, Present and Future\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ecalls for new ways of understanding and engaging with Country, and reveals the power and possibility of Indigenous ecological expertise.’\u003cbr\u003e– Billy Griffiths\u003c\/p\u003e\n\u003cp\u003e‘An enlightening read on the power of plants and the management practices of Indigenous people.’\u003cbr\u003e– Terri Janke\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eZena Cumpston\u003c\/b\u003e\u003cspan\u003e is a Barkandji researcher, writer and storyteller who also sometimes works as a curator and consultant. She is passionate about plants, and particularly about the many ways they elucidate the ingenuity and scientific knowledge of her people.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAssociate Professor \u003cb\u003eMichael-Shawn Fletcher\u003c\/b\u003e is a Wiradjuri geographer and scientist, and Director of Research at the Indigenous Knowledge Institute, University of Melbourne. His research concerns the long-term interactions between humans, climate, environmental disturbance and vegetation at local, regional and global scales.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003eLesley Head\u003c\/b\u003e is a Professor Emeritus of the University of Melbourne, and President of the Australian Academy of the Humanities. She is a geographer who researches the cultural dimensions of environmental issues, including climate change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the series: \u003c\/strong\u003eEach book is a collaboration between Indigenous and non-Indigenous writers and editors; the series is edited by Margo Neale, senior Indigenous curator at the National Museum of Australia.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitles in the series include:\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003eSonglines\u003c\/em\u003e by Margo Neale \u0026amp; Lynne Kelly (2020)\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDesign\u003c\/em\u003e by Alison Page and Paul Memmott (2021)\u003cbr data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-country-bill-gammage-bruce-pascoe\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-country-bill-gammage-bruce-pascoe\" target=\"_blank\"\u003e\u003cem data-mce-fragment=\"1\"\u003eCountry\u003c\/em\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-country-bill-gammage-bruce-pascoe\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-country-bill-gammage-bruce-pascoe\" target=\"_blank\"\u003e \u003c\/a\u003eby Bill Gammage \u0026amp; Bruce Pascoe (2021)\u003cbr data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-astronomy-karlie-noon-krystal-de-napoli\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-astronomy-karlie-noon-krystal-de-napoli\" target=\"_blank\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAstronomy\u003c\/em\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-astronomy-karlie-noon-krystal-de-napoli\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-astronomy-karlie-noon-krystal-de-napoli\" target=\"_blank\"\u003e \u003c\/a\u003eby Karlie Noon \u0026amp; Krystal De Napoli (2022)\u003cbr data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-plants-zena-cumpston-michael-shawn-fletcher-lesley-head\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-plants-zena-cumpston-michael-shawn-fletcher-lesley-head\" target=\"_blank\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePlants\u003c\/em\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-plants-zena-cumpston-michael-shawn-fletcher-lesley-head\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-plants-zena-cumpston-michael-shawn-fletcher-lesley-head\" target=\"_blank\"\u003e \u003c\/a\u003eby Zena Cumpston, Michael Fletcher \u0026amp; Lesley Head (2022)\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eLaw\u003c\/em\u003e by Marcia Langton and Aaron Corn (2023)\u003cbr data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-innovation-ian-j-mcniven-and-lynette-russell-1\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-innovation-ian-j-mcniven-and-lynette-russell-1\" target=\"_blank\"\u003e\u003cem data-mce-fragment=\"1\"\u003eInnovation\u003c\/em\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-innovation-ian-j-mcniven-and-lynette-russell-1\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/shop.twma.com.au\/collections\/books\/products\/first-knowledges-innovation-ian-j-mcniven-and-lynette-russell-1\" target=\"_blank\"\u003e \u003c\/a\u003eby Ian J McNiven \u0026amp; Lynette Russell (2023)3)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback:\u003c\/strong\u003e 214 pages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e20cm x 13cm\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":43663083896983,"sku":null,"price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/Plants_2_800x800_e1315cdf-ef0f-414a-b7fb-ea11edde4869.webp?v=1707104783"},{"product_id":"truth-telling-history-sovereignty-and-the-uluru-statement-by-henry-reynolds","title":"Draw Like a Child Take Chances, Make Mistakes, Find Your Artistic Style! by Haleigh Mun","description":"\u003cdiv class=\"MuiTypography-root MuiTypography-body1 DetailsTabs_html-content__PiHr_ mui-style-tgrox\"\u003e\n\u003ch4\u003eFor novices, experts, and anyone trying to free themselves from the constrains of perfectionism,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDraw Like a Child\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a whimsical guide to playing like an artist\u003c\/h4\u003e\n\u003cp\u003e\u003ci\u003eDraw Like a Child \u003c\/i\u003eis a guided sketchbook for anyone seeking a fresh approach to drawing. Both a guide to making entirely original illustrations and a place where artists-amateurs and experienced ones alike-can honestly express themselves, this book emboldens you to be brave enough to draw whatever you want and innocent enough to make mistakes.\u003c\/p\u003e\n\u003cp\u003eIgnore the rules of what makes art \"Art\" and toss aside any inhibitions you have in order to draw as freely as possible Broken down into seven chapters, each focuses on a different drawing method and offers exercises designed to help you loosen up and make works of art that feel like you. Filled with examples of Haleigh Mun's vibrant art,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDraw Like a Child\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewill lead you on a journey to discover your true artistic self.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"DetailsTabs_reviews-box__rK0ar MuiBox-root mui-style-1v28ako\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e160 \u003c\/span\u003epages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e20cm x 16.5cm\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":43667058524311,"sku":null,"price":22.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/9781419748066.HO.0.x.jpg?v=1707183295"},{"product_id":"truth-telling-history-sovereignty-and-the-uluru-statement-by-henry-reynolds-1","title":"Truth-Telling: History, sovereignty and the Uluru Statement by Henry Reynolds","description":"\u003cdiv class=\"MuiTypography-root MuiTypography-body1 DetailsTabs_html-content__PiHr_ mui-style-tgrox\"\u003e\n\u003cp\u003e\u003cstrong\u003eInspired by the Uluru Statement from the Heart, and its statement that sovereignty ‘has never been ceded or extinguished’, influential historian Henry Reynolds revisits the very premise of the settlement of Australia and challenges us to do the same.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat if the sovereignty of Australia’s First Nations was recognised by European international law in the eighteenth and nineteenth centuries? What if the audacious British annexation of a whole continent was not seen as acceptable at the time and the colonial office in Britain understood that ‘peaceful settlement’ was a fiction?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHenry Reynolds pulls the rug from under legal and historical assumptions in a book that’s about the present as much as the past. \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eTruth-Telling\u003c\/span\u003e\u003cspan\u003e shows exactly why our national war memorial must acknowledge the frontier wars, why we must change the date of our national day, and why treaties are important. Most of all, it makes urgently clear that the Uluru Statement is no rhetorical flourish but carries the weight of history and law and gives us a map for the future.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003e‘Our goal of an honourable place in the nation for Aboriginal and Torres Strait Islander people owes much to Henry Reynolds.’ ― Marcia Langton\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003e‘This book will allow Australians to build a better, more truthful, Australia.’ ― Mick Dodson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003e**Winner, Educational Publishing Australia Awards 2021, Non-Fiction Book of the Year**\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003e**Winner, Tasmanian Literary Awards 2022, Premier’s Prize for Non-fiction at the People's Choice Award**\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003e**Shortlisted, Queensland Literary Awards 2021 ,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eNon-Fiction Book Award**\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003e**Longlisted, Dick and Joan Green Family Award for Tasmanian History 2022**\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003e**Shortlisted, Ernest Scott Prize 2022**\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003e**Longlisted, Margaret and Colin Roderick Literary Award 2022**\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"DetailsTabs_reviews-box__rK0ar MuiBox-root mui-style-1v28ako\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e288 \u003c\/span\u003epages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e20cm x 13.5cm\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":43667146866839,"sku":null,"price":22.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/Screenshot2024-02-06122039.png?v=1707184256"},{"product_id":"the-industrial-design-of-clement-meadmore-exhibition-catalogue","title":"The Industrial Design of Clement Meadmore exhibition catalogue","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"background: white;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #1f2124;\"\u003eThe Industrial Design of Clement Meadmore: The Harris\/Atkins Collection \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #1f2124;\"\u003eis a 48-page publication, featuring illustrations of all 30 individual designs in the exhibition and an illuminating essay by Peter Atkins and Dana Harris which provides expert insights into Meadmore’s design practice and its importance in the history of mid-century modernism.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback: \u003c\/strong\u003e30 pages\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e21cm x 21cm\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"format\"\u003e\u003c\/div\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":43935701696663,"sku":null,"price":15.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/Meadmorecover.jpg?v=1712568321"},{"product_id":"supersystems-exhibition-catalogue","title":"SUPERsystems exhibition catalogue","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"background: white;\" class=\"xxelementtoproof\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #1f2124;\"\u003eSUPERsystems: Peter Atkins and Dana Harris \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #1f2124;\"\u003eis a 16-page publication featuring rich illustrations of the new works presented by Atkins and Harris in the exhibition, accompanied by an incisive and engaging essay by independent curator Kirsty Grant.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback: \u003c\/strong\u003e30 pages\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e21cm x 21cm\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"format\"\u003e\u003c\/div\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":43935722176663,"sku":null,"price":8.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/SUPERsystemscover.jpg?v=1712568474"},{"product_id":"pre-order-scootering-around-su-san-cohn-and-eugenia-raskopoulos","title":"(SC)OOT(ER)ING around Su san Cohn and Eugenia Raskopoulos","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003ci\u003e(SC)OOT(ER)ING around Su san Cohn and Eugenia Raskopoulos\u003c\/i\u003e - Exhibition Catalogue\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eTo accompany the exhibition \u003ca href=\"https:\/\/www.twma.com.au\/exhibitions\/scootering_around\/\" title=\"(SC)OOT(ER)ING around Su san Cohn and Eugenia Raskopoulos\" data-mce-href=\"https:\/\/www.twma.com.au\/exhibitions\/scootering_around\/\"\u003e\u003ci\u003e(SC)OOT(ER)ING around Su san Cohn and Eugenia Raskopoulos\u003c\/i\u003e\u003c\/a\u003e,\u003ci\u003e \u003c\/i\u003eTarraWarra Museum of Art has released a richly illustrated hardback publication. The catalogue features images and documentation of all the works in the exhibition, a curatorial introduction by Victoria Lynn, and commissioned essays by Caitlin Hamilton on the work of Su san Cohn and Anneke Japers on the work of Eugenia Raskopoulos.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAbout the Exhibition:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn exhibition of new and existing works by Su san Cohn, craft artist and Eugenia Raskopoulos, visual artist, curated by Victoria Lynn and presented at Tarrawarra Museum of Art from 3 August–10 November 2024.\u003c\/p\u003e\n\u003cp\u003eThe human body wears lived experience both on its skin, and within. It expresses the cultural, sexual, racial and diverse geographic experiences of individuals. Australian artists Su san Cohn and Eugenia Raskopoulos have explored the human body, often specifically female, for decades.\u003c\/p\u003e\n\u003cdiv class=\"more-less\"\u003e\n\u003cdiv class=\"more-less-content\"\u003e\n\u003cp\u003eAdornment has an ancient history, and its relation to the body is decorative, symbolic of gender, status, spiritual and cultural beliefs. Su san Cohn’s work considers the role of jewellery in the politics of society: as gift, symbol, memorial, and as a communication and sensory tool. Her work often responds to current issues, such as war, the plight of refugees and peace-making.\u003c\/p\u003e\n\u003cp\u003eThrough photography, video and neon, Eugenia Raskopoulos has used her own story of transmigration as a touchstone for a textual exploration of the body. As an artist living between two languages, she creates bodily actions and images, often interwoven with neon text, in Greek, English and binary code. Her work considers a ruptured body, one that is not easily defined, or translated, and that defies what we expect of the female form.\u003c\/p\u003e\n\u003cp\u003eEach artist is interested in how our bodies express social and cultural experience. Their approach arises from their personal lived experiences and ageing bodies and does not ‘stand in’ for a broader concept of the female form. In the context of the shifting medical, technological and social implications for the human body in first world contexts, and the mistreatment of human beings across the world, they create art works that express the call for a more ethical corporeality.\u003c\/p\u003e\n\u003cp\u003eWhile the exhibition includes several new works by each artist, it is conceived as an artistic collaboration between the two artists and the curator. It is a dialogue, one that has resulted in the final work in the exhibition,\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eword of mouth\u003c\/em\u003e, an actual collaborative installation made by Cohn and Raskopoulos.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":44488713339031,"sku":null,"price":15.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/2.jpg?v=1728537182"},{"product_id":"curatorial-activism-towards-an-ethics-of-curating-by-maura-reilly","title":"Curatorial Activism: Towards an Ethics of Curating by Maura Reilly","description":"\u003cdiv class=\"show-for-medium\"\u003e\n\u003cdiv class=\"product-format\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"show-for-medium\"\u003e\n\u003cdiv class=\"annotation\"\u003e\n\u003cdiv description-limit=\"\"\u003e\n\u003cdiv class=\"description-outer description-outer--summary\"\u003e\n\u003cdiv class=\"description-inner description-inner--summary\"\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cp\u003e\u003cstrong\u003eA handbook of new curatorial strategies based on pioneering examples of curators working to offset racial and gender disparities in the art world.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eCurrent art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year’s Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of students enrolled in art and art-history programs are young women.\u003c\/p\u003e\n\u003cp\u003eArranged in thematic sections focusing on feminism, race, and sexuality,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCuratorial Activism\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexamines and illustrates pioneering examples of exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Linda Nochlin’s “Women Artists” at LACMA in the mid-1970s to Jean-Hubert Martin’s “Carambolages” in 2016 at the Grand Palais in Paris. Profiles key exhibitions by pioneering curators including Okwui Enwezor, Linda Nochlin, Jean-Hubert Martin and Nan Goldin, with a foreword by Lucy Lippard, internationally known art critic, activist and curator, and early champion of feminist art, this volume is both an invaluable source of practical information for those who understand that institutions must be a driving force in this area and a vital source of inspiration for today’s expanding new generation of curators.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e100 illustrations\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb data-mce-fragment=\"1\"\u003eAbout the Author\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaura Reilly\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a curator and arts writer, and executive director of the National Academy of Design in New York. As the founding curator of the Sackler Center for Feminist Art at the Brooklyn Museum, she launched the first exhibition and public programming space in the USA devoted entirely to feminist art, where she organized multiple exhibitions, including the permanent installation of Judy Chicago’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDinner Party\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand the blockbuster\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGlobal Feminisms\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(co-curated with Linda Nochlin.) Reilly has authored and edited many books and articles on contemporary art, including most recently\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWomen Artists: The Linda Nochlin Reader\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(Thames \u0026amp; Hudson, 2015). She is the recipient of several prestigious awards, including a Lifetime Achievement Award from the Women’s Caucus for Art, and in 2015 was voted one of the 50 most powerful people in the art world by both\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBlouin Art Info\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eArt+Auction\u003c\/em\u003e. She received her MA and PhD from the Institute of Fine Arts at New York University.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLucy Lippard\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis an art critic, activist, curator, and early champion of feminist art.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eHardcover:\u003c\/strong\u003e \u003cspan\u003e240 \u003c\/span\u003epages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:  \u003c\/strong\u003e17.2 x 23.6 cm\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":44488738537623,"sku":null,"price":49.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/ImageHandler.jpg?v=1722562246"},{"product_id":"women-artists-the-linda-nochlin-reader","title":"Women Artists The Linda Nochlin Reader by Maura Reilly and Linda Nochlin","description":"\u003cdiv class=\"show-for-medium\"\u003e\n\u003cdiv class=\"product-format\"\u003e\u003cb\u003eThe definitive anthology of writings on women in art by the late Linda Nochlin, one of the most influential and revolutionary voices in feminist art history.\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-format\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"show-for-medium\"\u003e\n\u003cdiv class=\"annotation\"\u003e\n\u003cdiv description-limit=\"\"\u003e\n\u003cdiv class=\"description-outer description-outer--summary\"\u003e\n\u003cdiv class=\"description-inner description-inner--summary\"\u003e\n\u003cdiv class=\"description-outer description-outer--open\"\u003e\n\u003cdiv class=\"description-inner\"\u003e\n\u003cp\u003eLinda Nochlin (1931-2017) was one of the most pioneering and provocative art historians of our time. In 1971 she published her groundbreaking article, 'Why Have There Been No Great Women Artists?', an impassioned feminist rallying cry that called traditional art historical practices into question and led to a major revision of the discipline. \u003ci\u003eWomen Artists: The Linda Nochlin Reader\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ebrings together thirty essential essays from throughout Nochlin's career, including two written specially for this collection. The book opens with an interview with Nochlin, in which she looks back on her life's work and reflects on the position of women artists today. Her major thematic texts, such as 'Women Artists After the French Revolution' and 'Starting from Scratch: The Beginnings of Feminist Art History' appear alongside the landmark 1971 essay and its rejoinder, '\"Why Have There Been No Great Women Artists?\": Thirty Years After.' Also included are entries focusing on a selection of major women artists, such as Mary Cassatt, Louise Bourgeois, Cecily Brown, Kiki Smith, Miwa Yanagi and Sophie Calle, as well as concise biographies of all the artists discussed in the book and a complete bibliography of Nochlin's publications.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cb data-mce-fragment=\"1\"\u003eAbout the Author\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaura Reilly\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a curator and arts writer, and executive director of the National Academy of Design in New York. 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With biographical entries on each artist featured, as well as beautiful images of their artworks,\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eWomen's Work\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eraises up the work of these visionary and groundbreaking artists, telling their stories and examining their artistic legacies.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cb data-mce-fragment=\"1\"\u003eAbout the Author\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"description-outer\"\u003e\n\u003cdiv class=\"description-inner\"\u003e\n\u003cp\u003e\u003cstrong\u003eFerren Gipson\u003c\/strong\u003e is an art historian, writer and presenter. She is the host and producer of the Art Matters podcast, a doctoral researcher at SOAS, University of London and the author of The Ultimate Art Museum (Phaidon).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eHardback:\u003c\/strong\u003e \u003cspan\u003e224 \u003c\/span\u003epages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:  \u003c\/strong\u003e14.0 x 20.0cm\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":44488824422551,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/Womens_Work__26641.jpg?v=1722568952"},{"product_id":"eugenia-raskopoulos-vestiges-of-the-tongue","title":"Eugenia Raskopoulos: Vestiges of the Tongue","description":"\u003cdiv class=\"show-for-medium\"\u003e\n\u003cdiv class=\"product-format\"\u003e\n\u003cp\u003e\u003cstrong\u003eThree decades of work from the pioneering photo-media artist, exploring themes of gender, migration and globalisation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA fine book on the artistic practice of Eugenia Raskopoulos, whose family cultural background and experiences of multicultural Australia informs her interest on a range of issues including the feminine body, language, translation, cultural exchange, knowledge and power. Between sumptuous colour plates of images representative of an artistic practice that prompts critical reflection and response, a collection of engaging and insightful essays by curators and academics brings a scholarly rigour to this high-quality publication that is to be commended for both its aesthetic and intellectual appeal.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e—Judges, AAANZ Best Book Prize\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"show-for-medium\"\u003e\n\u003cdiv class=\"annotation\"\u003e\n\u003cdiv description-limit=\"\"\u003e\n\u003cdiv class=\"description-outer description-outer--summary\"\u003e\n\u003cdiv class=\"description-inner description-inner--summary\"\u003e\n\u003cdiv class=\"description-outer description-outer--open\"\u003e\n\u003cdiv class=\"description-inner\"\u003e\n\u003cdiv class=\"description-outer description-outer--open\"\u003e\n\u003cdiv class=\"description-inner\"\u003e\n\u003cp\u003e\u003cspan\u003eWith recognition for her pioneering practice long overdue, this scholarly monograph is the first survey of one of Australia’s leading photo-media artists, \u003c\/span\u003e\u003cb\u003eEugenia Raskopoulos\u003c\/b\u003e\u003cspan\u003e. Raskopoulos’ cultural background has informed more than three decades of inventive, evolving bodies of work that span across video photo-media, installation and photography.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBorn in the Czech Republic to Greek parents before migrating from Greece to Australia in 1963, Raskopoulos has long sustained a focused and fruitful critique of language. In \u003c\/span\u003e\u003ci\u003eVestiges of the Tongue\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003ewe see her visualising language’s slippages through performances of translation, interrogating words and their impact on the body, and tracing contemporary communication as it enters the realms of data and surveillance.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBeautifully designed and produced as a cloth-bound a hardcover volume, \u003c\/span\u003e\u003ci\u003eVestiges of the Tongue\u003c\/i\u003e\u003cspan\u003e is a stylish and immersive exploration into Raskopoulos’ world. Early works such as the neon ‘No never means yes’, emblazoned on the wall of a girl’s bedroom, and the performance of the word ‘democracy’, written by the artist’s foot in urine, are just two examples from an oeuvre that, decades on, appears both consistently engaged with the politics of its time and, here reconsidered by ten leading scholars and curators, newly resonant in the social context of today. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback:\u003c\/strong\u003e \u003cspan\u003e228 \u003c\/span\u003epages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e 30 × 23cm\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":44488851816599,"sku":null,"price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/Formist_EugeniaRaskopoulos_VestigesOfTheTongue_Cover_1024x1024_224852f0-85be-45ef-9bf2-f8807ddfd17e.webp?v=1722570907"},{"product_id":"the-comfort-of-water-a-river-pilgrimage-kindle-edition-by-maya-ward","title":"The Comfort of Water: A River Pilgrimage by Maya Ward","description":"\u003cp\u003e\u003cspan\u003eThis is the joyful yet heartbreaking true story of four friends who walk a 21- day pilgrimage from the sea to the source of Birrarung otherwise known as the Yarra River. There is no path for most of the way, but offers of campsites and boats, and free access to private lands, illustrates the generosity shown to pilgrims even in modern times.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Comfort of Water: A River Pilgrimage, Maya Ward's lyrical exploration of a river as it winds through the city and the wild is a revelation, a testament to the fact that the greatest of worlds are often at our doorstep. Maya's telling of her own journey and that of her fellow walkers is seamlessly woven together with ecological and cultural history, the revelation of the pilgrim's path and the unknowable depth of Aboriginal myth. Through trekking this Wurundjeri Songline, this ancient, ever-renewing river, she discovers rich possibilities of belonging, and shares how a river can nourish the passion and resilience required to transform our world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback:\u003c\/strong\u003e 336 pages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e21.0 x 13.5 \u003c\/span\u003e\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":44488940191895,"sku":null,"price":28.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/large_9781921924286.jpg?v=1722577205"},{"product_id":"do-it-like-a-woman-and-change-the-world-by-caroline-criado-perez","title":"Do It Like a Woman... and Change the World by Caroline Criado Pérez","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eGathering together stories from all corners of the world, \u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eDo It Like a Woman\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e is an inspiring celebration of private heroisms and public triumphs, and a brilliant, necessary manifesto for women everywhere.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eEvery day, all around the world, women are reinventing what it means to be female in cultures where power, privilege or basic freedoms are all too often equated with being male.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHere, Caroline Criado-Perez, one of the most vocal and tenacious campaigners of her generation, introduces us to some of these pioneering women. We meet the first woman to cross the Antarctic alone; we meet a female fighter pilot in Afghanistan; we meet a climate change activist who scaled new heights; we meet a Chilean revolutionary turned politician; we meet the Russian punks who rocked out against Putin; and we meet the Iranian journalist who dared to uncover her hair.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the author\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCaroline Criado Pérez is a best-selling and award-winning writer, broadcaster and feminist campaigner. She is published across the major national media, and appears in both print and broadcast as a commentator on a wide range of topics.\u003c\/p\u003e\n\u003cp\u003eNotable campaigns include getting a female historical figure on Bank of England banknotes; getting Twitter to introduce a \"report abuse\" button on tweets; getting the first statue of a woman (Millicent Fawcett) in Parliament Square.\u003c\/p\u003e\n\u003cp\u003eHer first book, Do it Like a Woman, was published by Portobello in 2015. It was described as “a must-read” by the Sunday Independent and “rousing and immensely readable” by Good Housekeeping who selected it as their “best non-fiction”. Eleanor Marx hailed it in the New Statesman as “an extended and immersive piece of investigative journalism,” while Bridget Christie chose it as one of her books of the year in the Guardian, declaring that “young girls and women everywhere should have a copy.”\u003c\/p\u003e\n\u003cp\u003eHer second book, INVISIBLE WOMEN: exposing data bias in a world designed for men, was published in March 2019 by Chatto \u0026amp; Windus in the UK \u0026amp; Abrams in the US. It is a #1 Sunday Times bestseller and spent 16 weeks in the Sunday Times bestseller lists. It is being translated into nineteen languages, and is the winner of the 2019 Royal Society Science Book Prize, the 2019 Books Are My Bag Readers Choice Award, and the 2019 Financial Times Business Book of the Year Award. It was described by Caitlin Moran as \"one of those books that has the potential to change things – a monumental piece of research.\" Melanie Reid in The Times called Invisible Women \"a game-changer...making an unanswerable case and doing so brilliantly…the ambition and scope – and sheer originality – of Invisible Women is huge...It should be on every policymaker, politician and manager’s shelves,\" a sentiment that was echoed by Nicola Sturgeon who described it as \"revelatory,\" adding that \"it should be required reading for policy and decision makers everywhere.\"\u003c\/p\u003e\n\u003cp\u003eCaroline lives in London with her small excitable dog, Poppy, has a degree in English language and literature from the University of Oxford, and studied behavioural and feminist economics at the LSE. 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