{"title":"First Nations","description":"","products":[{"product_id":"welcome-to-country-by-aunty-joy-murphy-and-lisa-kennedy","title":"Welcome to Country by Aunty Joy Murphy and Lisa Kennedy","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAn Aboriginal ceremony of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWelcome to Country\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis depicted for the first time in a stunning board book from two Indigenous Australians.\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWelcome to the lands of the Wurundjeri people. The people are part of the land, and the land is a part of them. Aboriginal communities across Australia have boundaries that are defined by mountain ranges and waterways. Traditionally, to cross these boundaries, permission is required. Each community has its own way of greeting, but the practice shares a common name: a Welcome to Country. Aunty Joy Murphy Wandin, the senior Aboriginal elder of the Wurundjeri people, channels her passion for storytelling into a remarkable and utterly unique picture book that invites readers to discover some of the history and traditions of her people.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIndigenous artist Lisa Kennedy gives the Wurundjeri Welcome to Country form in beautiful paintings rich with blues and browns, as full of wonder and history as the tradition they depict.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAbout the Author\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJoy Murphy Wandin is a storyteller and writer who is passionate about using stories to bring people together and as a conduit for understanding aboriginal culture. 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The experience of loss and reclamation is embedded in her work. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWelcome to Country\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e was her first title with Walker Books.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHardcover:\u003c\/strong\u003e 26 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e22.3 x 19.3 x 2.0 cm\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":34838614048919,"sku":"","price":27.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/products\/welcome-to-country.jpg?v=1593668691"},{"product_id":"wilam-a-birrarung-story-by-aunty-joy-murphy-andrew-kelly","title":"Wilam: A Birrarung Story by Aunty Joy Murphy \u0026 Andrew Kelly","description":"\u003cp\u003eIn this stunning picture book beautifully given form by Indigenous artist Lisa Kennedy, respected Elder Aunty Joy Murphy and Yarra Riverkeeper Andrew Kelly tell the story of one day in the life of the vital, flourishing Birrarung (Yarra river).\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eAs ngua rises, Bunjil soars over mountain ash, flying higher and higher as the wind warms. Below, Birrarung begins its long winding path down to palem warreen. Wilam – home.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eYarra Riverkeeper Andrew Kelly joins award-winning picture book duo Aunty Joy Murphy and Lisa Kennedy to tell the Indigenous and geographical story of Melbourne’s beautiful Yarra river, from its source to its mouth; from its pre-history to the present day.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAn ode to Australian rivers, the flora and fauna that live on them, and the function they perform as a part of modern day life.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci\u003eWilam\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ebrings Aboriginal life, culture and language right in to the heart of the city.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eFrom an award-winning team of the bestselling\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eWelcome to Country\u003c\/i\u003e, and Yarra Riverkeeper and award-winning author Andrew Kelly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb\u003eAbout the Authors\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eAunty Joy Murphy is a respected Wurundjeri Elder and author of \u003ci\u003eWelcome to Country\u003c\/i\u003e. Andrew Kelly is the Yarra Riverkeeper, part of an international organisation of Riverkeepers. He has written numerous books for children and adults.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout the Illustrator\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eLisa Kennedy is a descendant of the Trawlwoolway People on the north-east coast of Tasmania. Lisa was born in Melbourne and as a child lived close to the Maribyrnong River. Here she experienced the gradual restoration of the natural river environment alongside cultural regeneration and reclamation. Through sense of place she feels connected to the Wurundjeri country and all that entails – the water, the land, the animals and the ancestors. The experience of loss and reclamation is embedded in her work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardcover:\u003c\/strong\u003e 40 pages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e25.5 x 29.4  x 0.7 cm\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":39371431477399,"sku":"","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/products\/WilamABirrarungStory.jpg?v=1614656876"},{"product_id":"found-by-bruce-pascoe","title":"Found by Bruce Pascoe and illustrated by Charmaine Ledden-Lewis","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eWinner of the Kestin Indigenous Illustrator Award\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis gentle story set in the rugged Australian bush is about a small calf who becomes separated from his family. The little calf is alone and simply wants his mother, sisters and brothers. He can see other animals, and after running to the river, manages to ask some horses if they are his family. The calf's family have been taken away in the back of a noisy truck. So begins the little calf's journey to find his family.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFound\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e we share the calf's point of view in an evocative story, accompanied by stunning illustrations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardcover: \u003c\/strong\u003e40 pages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e25 x 25 cm\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":39371478827159,"sku":"","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/products\/Found_BrucePascoe.jpg?v=1614657270"},{"product_id":"coming-home-to-country-by-bronwyn-bancroft","title":"Coming Home To Country by Bronwyn Bancroft","description":"\u003cp\u003eBronwyn Bancroft’s love and respect for her Country shines in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eComing Home to Country\u003c\/em\u003e. There are few words in this book – a sentence per page – but they are carefully chosen words and I got goosebumps more than once. As Bancroft explores her Country’s ancient history – the colours, the smells and the sounds – you really feel it all as you read. On one page she lies on her back to watch the clouds skirmish and ‘feasts on the poetry of each intricate image’. I immediately wanted to put the book down and go outside to do the same. The illustrations are everything we’ve come to expect from Bancroft, they are stunning and true representations of Country and its spirit, bright and bold, and delicate and intricate all at once.\u003c\/p\u003e\n\u003cp\u003eNow, more than ever, we need to consider our connection to the land we stand upon all too briefly and leave to those who will follow after us.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eComing Home to Country\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis perfect for helping us to do just that. For ages 2+.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in Tenterfield, northern New South Wales, Bronwyn Bancroft is a descendant of the Djanbun clan of the Bundjalung nation. Bronwyn is a leading Indigenous artist, illustrator and art administrator whose work is held at the National Gallery of Australia, the Art Gallery of New South Wales and the Australian Museum. Bronwyn has illustrated several award-winning books for children and she has a long history of involvement in community activism.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardcover:\u003c\/strong\u003e 24 pages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 27 x 22 x 0.7 cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":39372316639383,"sku":"","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/products\/Hometocountry.jpg?v=1614663926"},{"product_id":"copy-of-looking-glass-judy-watson-and-yhonnie-scarce-by-tarrawarra-museum-of-art","title":"Judy Watson by Geraldine Barlow, Hetti Perkins and Jonathan Watkins for Ikon Gallery","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"entry-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePublished alongside the most comprehensive UK exhibition to date by Australian Aboriginal artist Judy Watson (b.1959), as part of an international tour developed in partnership with TarraWarra Museum of Art\u003ca href=\"https:\/\/www.twma.com.au\/\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.twma.com.au\/\"\u003e,\u003c\/a\u003e Healesville, Australia.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBorn in Mundubbera, Queensland, Watson derives inspiration from her matrilineal Waanyi heritage, often conveyed through collective memory, using it as a foil for the archival research that informs much of her practice. The latter spells out an unceasing and institutional discrimination against Aboriginal people, described by curatorial advisor Hetti Perkins as ‘Australia’s ‘secret war’.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIkon’s exhibition includes new paintings, video and sculptural pieces – some made in response to visits she undertook to see British sites of prehistorical significance – which consider a more balanced and sustainable relationship between humanity and the rest of the natural world.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eExhibition supported by the Australian Government through the Australia Council, its arts funding and advisory body, and the Australian High Commission in the United Kingdom.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePublished on the occasion of the exhibition\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eJudy Watson\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eat Ikon Gallery, Birmingham, 4 March – 31 May 2020.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":39489696727191,"sku":"","price":7.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/products\/Judy_watson_ikon.jpg?v=1615417911"},{"product_id":"walka-wiru-silk-tie-phyllis-donegan","title":"Walka Wiru Silk Tie — Phyllis Donegan","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eDonegan’s painting ‘\u003cem\u003eWalka Wiru Ngura Wiru’\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003etransports us across the vast desert country surrounding the Tomkinson Ranges near the artist’s home community of Kalka, in the far north-western reaches of South Australia.\u003c\/p\u003e\n\u003cp\u003eThe painting’s title,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e‘Walka Wiru Ngura Wiru’\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003etranslates into English as, ‘lovely country, lovely drawing’.\u003c\/p\u003e\n\u003cp\u003eThrough her skilful use of layering and tonal graduation, Donegan’s work creates an immersive experience – her paint appears to vibrate above the surface of the canvas creating a mesmerising optical effect. In this way, the artist breathes life into the undulating\u003cspan\u003e \u003c\/span\u003e\u003cem\u003etali\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(sandhills) and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003epuli\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(rocky hills) that characterise the sprawling desert country of her homelands.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cstrong\u003eAbout One of Twelve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/oneoftwelve.com\/\" data-mce-href=\"https:\/\/oneoftwelve.com\/\"\u003eOne of Twelve\u003c\/a\u003e\u003cspan\u003e is an Australian organisation that showcases the work of emerging and established artists from the Asia Pacific region. We are dedicated to celebrating and contributing to the art sector of this region through the production of high quality, silk garments that depict collaborating artists work. These unique pieces are each accompanied by an artist card, detailing the maker’s work and practice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAbout the artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePhyllis Donegan was born in 1973 in Milyirrtjarra (Warburton), on Ngaanyatjarra Country. She is the youngest daughter of fellow Ninuku artist and 2010 National Aboriginal and Torres Strait Islander Art Award (NATSIAA) recipient Jimmy Donegan. Her mother was an accomplished member of the Tjanpi Desert Weavers.\u003c\/p\u003e\n\u003cp\u003eDonegan now works across both of her parents’ mediums, collaborating with her mother and sisters among others on the iconic, ‘Tjanpi Grass Toyota’, winner of the 2005 NATSIAA. 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Cards sold individually, envelope included. \u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eAbout the Art\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eYam and Bush Tomato Dreamings by Paddy Stewart:\u003c\/em\u003e\u003cbr\u003eThis painting shows the Yam and Bush Tomato Dreamings. You can see the Yams and the small round berries of the Bush Tomatoes. The place associated with this Dreaming is west of Yuendumu. In the Dreamtine the people used to eat these fruits and vegetables, just as our old people lived off them. What I have painted here is the Dreamtime Yams and Bush Tomatoes. I painted them here for the children to see.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNarangga people on The Yorke Peninsula by Cedric Varcoe\u003cbr\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2015 Cedric received a grant from Arts SA for professional development workshops with Better World Arts. During these workshops Cedric studied colour theory, life drawing and did a lot of research into Ngarrindjeri history and culture at the South Australian Museum. In 2016 Cedric received another grant from Arts SA to continue his research and this time delve into his Narangga ancestry and stories. This painting is a combination of a variety of Narangga stories Cedric explored at this time.\u003c\/span\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Granites by Cedric Varcoe\u003cbr\u003e\u003c\/em\u003eNgurunderi came down the river with his two sons, who he lost in the scrub after hunting emus with them. He walked around looking for them. When near Kingston S.E. he met an old magic man who had captured his sons. They had a war fight with magic and weapons. Ngurunderi won the fight and burnt the magic man’s body the old way, the flames turned his body into 3 rocks. 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The country offers a big water soakage (Ngapa) and is a place of rest for Nampijinpa\/Jampijinpa\/Nangala\/Jangala skin groups.\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Yam and Bush Tomato Dreamings by Paddy Stewart","offer_id":41186981314711,"sku":"","price":5.0,"currency_code":"AUD","in_stock":true},{"title":"Damien and Yilpi Marks","offer_id":42680923979927,"sku":"","price":5.0,"currency_code":"AUD","in_stock":true},{"title":"Julie Woods","offer_id":42680925323415,"sku":"","price":5.0,"currency_code":"AUD","in_stock":true},{"title":"Jane Margaret Tipuamantumirri","offer_id":42680928993431,"sku":"","price":5.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/products\/BWA_greetingcard_pinkyellow_web.jpg?v=1634007695"},{"product_id":"culture-is-life-photographic-exploration-of-aboriginal-and-torres-strait-islander-peoples-in-modern-australia-by-wayne-quilliam","title":"Culture is Life Photographic Exploration of Aboriginal and Torres Strait Islander Peoples in Modern Australia by Wayne Quilliam","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eCulture is Life\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a modern, photographic celebration of the diversity of Indigenous Australians.\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePre-eminent Aboriginal photographer Wayne Quilliam has an archive of thousands of images and interviews with Indigenous people across the country. 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With various feature sections on significant events such as Sorry Day and the All Stars game, this book is an accessible gateway to better understand and appreciate the lives of Aboriginal and Torres Strait Islander peoples, presented as a stunning and contemporary photo book.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAbout the Author\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAdjunct Professor Wayne Quilliam is one of Australia's pre-eminent Indigenous photographic artists, curators and cultural advisors working on the international scene. His awards include the 2009 NAIDOC Indigenous Artist of the Year, the Human Rights Media Award, the Walkley Award for photojournalism and the Supply Nation business of the year award. He was also a finalist in the 2016 Bowness Art Award.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWayne has created and curated over 300 exhibitions throughout the world and has been published in more than 1000 magazines, books and newspapers. In recent years he has held solo exhibitions in Melbourne, Sydney, Adelaide, Perth, Havana, Tokyo, Berlin, New York and at the United Nations in New York and Geneva.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardcover:\u003c\/strong\u003e 240 pages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e21 x 17 cm \u003cbr\u003e\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":41799953186967,"sku":"","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/products\/culture-is-life.jpg?v=1646091481"},{"product_id":"shadow-lines-by-stephen-kinnane","title":"Shadow Lines by Stephen Kinnane","description":"\u003cp\u003e\u003cb data-mce-fragment=\"1\"\u003eIn this award-winning literary classic, Stephen Kinnane has written a deeply personal story of two remarkable people and of a vibrant, resilient Aboriginal community that flourished against the odds in the heart of Perth.\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA powerful and lyrical work by a writer of vision and imagination, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eShadow Lines\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eis the story of Jessie Argyle, born in the remote East Kimberley and taken from her Aboriginal family at the age of five, and Edward Smith, a young Englishman escaping the rigid strictures of London. In a society deeply divided on racial lines, Edward and Jessie met, fell in love and, against strong opposition, eventually married. Despite unrelenting surveillance and harassment, the Smith home was a centre for Aboriginal cultural and social life for over thirty years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the author: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStephen Kinnane is a Marda Marda from Mirriwoong country in the East Kimberley. He has been an active writer and researcher for more than 25 years as well as lecturing and working on sustainability, politics and history with a focus on regional and local community resilience, belonging and connections with place. His interests are diverse, encompassing Aboriginal history, creative documentary (both visual and literary), regional sustainability and resource scarcity. Kinnane co-wrote and produced The Coolbaroo Club (1996), an ABC TV documentary awarded the Human Rights and Equal Opportunity Commission Human Rights Award for the Arts, and collaborated with Lauren Marsh and Alice Nannup on When the Pelican Laughed (1992), the story of Mrs Alice Nannup (Fremantle Press).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback: \u003c\/strong\u003e384 pages\u003cbr\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e23.3 x 15.5  x 3.0 cm\u003c\/span\u003e\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":42137181421719,"sku":"","price":35.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/products\/9781925816709-scaled.jpg?v=1653709478"},{"product_id":"belonging-stories-from-far-north-queensland","title":"Belonging: Stories from Far North Queensland","description":"\u003cp\u003eThe Indigenous Art Centre Alliance (IACA) is the peak body for 14 exceptional Far North Queensland art centres. Most of these are centres, before the establishment of the IACA, faced difficulty in revealing to the state and the nation the talents possessed by their artists. As the organisation celebrates 10 years of dedicated industry support in the region, they also celebrate the many achievements by arts centres and artists working in a multitude of different mediums.\u003c\/p\u003e\n\u003cp\u003eThe\u003cem\u003e Belonging : Stories From Far North Queensland \u003c\/em\u003ecollaboration between the National Museum of Australia and the members of IACA is a milestone. IACA is the first Indigenous art centre peak body to facilitate such an enormous body of work, from an entire region, subsequently acquired and exhibited by a national institution.\u003c\/p\u003e\n\u003cp\u003eWhether you're captivated by culture on a canvas or Dreamtime in design, first and foremost are the artists who wholeheartedly share their cultural connection to the country on which they still reside today. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback: \u003c\/strong\u003e224 pages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e23.5 x 28.5 x 2 cm  \u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":42883152445591,"sku":"","price":59.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/products\/belonging_cover.jpg?v=1674444530"},{"product_id":"biennial","title":"TarraWarra Biennial 2025: We Are Eagles catalogue","description":"\u003cp\u003e\u003cstrong\u003eAbout the Exhibition:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"ex-meta\"\u003e\n\u003cdiv class=\"st\"\u003eCURATED BY KIMBERLEY MOULTON (YORTA YORTA)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"format\"\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eTarraWarra Biennial 2025:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eWe Are Eagles\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003eis an exhibition of new and existing works\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eby\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e23 artists and makers from across Australia\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ethat centre regenerative practice and relational connections.\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":200,\"335559740\":360}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eThe title comes from an important political movement in 1938 called The Day of Mourning, held on the 150th anniversary of the colonisation of Australia,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eduring which\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003eAboriginal leaders called for a resolution to be passed against the callous treatment of their people and for full citizenship status and equality. At this gathering the Yorta Yorta\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003evisionary\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003ePastor Sir Doug Nicholls\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003eKCVO OBE\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003estated that;  \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":200,\"335559740\":360}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003e‘\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003ewe do not want chicken-feed … we are not chickens; we are eagles\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e’\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e.\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":200,\"335559740\":360}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eInspired by this assertion of cultural strength and the power to soar in freedom and Ancestral knowing, the exhibition shares cross-cultural knowledge through a conceptual framework of regeneration, the disrupt\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eion of\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003ecoloniality and the restor\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eation\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003eof the mulana (Yorta Yorta for spirit).\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003eThe artists in the Biennial consider the ways in which  knowledge can be renewed\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ethrough creative practice, \u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003eand the spirit of memory, cultural material and place can be restored. This embodied knowledge is a core mechanism that disrupts coloniality and prescribed notions of identity within the Australian imaginary.\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003eHowe\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ever, t\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003ehese interventions are not wholly centered on resistance\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e—\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003ethey recognise multiple truths, self-determination and love that binds us to place and each other,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ebeyond colonial realities\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e. \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":200,\"335559740\":360}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eConnecting across cultures from this continent and beyond its borders, through waterways, community kinships and the stars, to the totemic eagle and\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003eanimals that guide them, the artists share their truth. From critically\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eunpacking\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003ethe collecting histories of museums and current geopolitical realities, to considering the body as an archive of generational wisdom, the works in\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eWe Are Eagles\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003econverge across various temporal spaces to re-story and remember.  \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":200,\"335559740\":360}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003e–Kimberley Moulton (Yorta Yorta), Curator\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":200,\"335559740\":360}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eKimberley Moulton would like to thank Aunty Pam Pedersen, esteemed Elder and daughter of Pastor Sir Doug Nicholls for her support to work with his words.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eWe Are Eagles\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003ealso honours the Wurundjeri\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003eWoi\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ew\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003eurrung people, their trad\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eitional\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003elands on which TarraWarra Museum of Art stands, and their creator Bunjil, the wedge-tailed eagle\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e.\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe artists participating in TarraWarra Biennial 2025 are:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eAncestor, Jack Anselmi, Nathan Beard, Moorina Bonini, Amy Briggs, Maree Clarke, Gunybi Ganambarr, Cynthia Hardie, Nadia Hernández, Lisa Hilli, Iluwanti Ken, Brendan Kennedy, Daniel Riley, Laurel Robinson, Teho Ropeyarn, Shireen Taweel, Lyn Thorpe, Angela Tiatia, wani toaishara, Brooke Wandin, Lisa Waup, Warraba Weatherall, Yaritji Young.\u003c\/p\u003e\n\u003chr\u003eEstablished in 2006, the TarraWarra Biennial is as an experimental and thematic platform for presenting new contemporary and cutting-edge work.\n\u003cp\u003e\u003cspan class=\"TextRun SCXW7576579 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW7576579 BCX0\"\u003eThis project has been\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW7576579 BCX0\"\u003eassisted\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW7576579 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eby the Australian Government through Creative Australia, its principal arts investment and advisory body\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW7576579 BCX0\"\u003e;\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW7576579 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003ethe Victorian Government through Creative Victoria\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW7576579 BCX0\"\u003e; and the Copyright Agency\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW7576579 BCX0\"\u003e’s Cultural Fund\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW7576579 BCX0\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW7576579 BCX0\" data-ccp-props='{\"201341983\":0,\"335559740\":257}'\u003e \u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":43057337303191,"sku":"WAE","price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/thumbnail_22785-TMA-2025-Biennial-catalogue_mockup_DR_2_2.jpg?v=1747374108"},{"product_id":"copy-of-a-book-of-encounters-robert-owen-by-perimeter-editions","title":"Coranderrk, We Will Show The Country by Giordano Nanni and Andrea James","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis book tells the story of one of the first sustained campaigns for justice, land rights and self-determination and provides a superb example of how to share history with a wide audience. Extended collaboration was the crucible for the skillful melding of scholarship, performance and Aboriginal knowledge. Using the highly popular verbatim-theatre, professional actors bring to life those who testified at the 1881 Inquiry, allowing them to speak to a contemporary audience. In this way, some of the Aboriginal witnesses are rescued from dusty archives, and are again given voice. They include renowned Wurundjeri leader, William Barak. Adept at writing, skilled at negotiation and resistance, and rightly proud of their culture and their success in their farming ventures, it is impossible not to be inspired by the men, women and children who petitioned the colonial Government. Here they are heard alongside their non-Aboriginal allies -- and the Aboriginal Protection Board members who opposed them. Coranderrk derives from the Ilbijerri Theatre's production, with extensive consultation with descendants of the Coranderrk community.  Belvoir Theatre in Sydney will feature the play during December 2013 and January 2014. Using Aboriginal people's first-person testimonies (members of the Kulin clans and beyond) and the non-Aboriginal witnesses, Coranderrk reveals how the process of working between history and theatre can promote education. An historical introduction provides a window onto the events which led to the establishment of the Coranderrk community, the protest campaign that sparked the 1881 Parliamentary Inquiry, and the consequences and aftermath of that Inquiry. In doing so it provides a deeper and more accurate understanding of our shared colonial past. Supplementing the historical introduction and extracts are biographies of the witnesses, and a range of historical images and stills from the theatrical production.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback:\u003c\/strong\u003e 176 pages\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 23.0cm x 18.8cm\u003c\/p\u003e","brand":"TarraWarra Museum of Art Shop","offers":[{"title":"Default Title","offer_id":43093212299415,"sku":"","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0396\/4531\/5223\/files\/book_coranderrk.jpg?v=1683692241"},{"product_id":"weaving-country-aunty-kim-wandin-christine-joy-ashleigh-pugh","title":"Weaving Country, Aunty Kim Wandin, Christine Joy \u0026 Ashleigh Pugh","description":"\u003cp\u003e\u003cb\u003eStunning picture book celebrating working together, sharing important lessons from Country, and featuring First Nations language\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e‘Around and around they go,’\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003ci\u003esays Walert looking at Gugung’s\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003ci\u003ehands turning the wheel of\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003ci\u003ewoven reeds, growing slowly\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003ci\u003eand surely, bigger and bigger.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWalert's grandmother, Gugung, is collecting reeds (djirra) to weave a basket (binak) and finally, Walert is big enough to take part and learn this important cultural practice. But when a pair of blue wrens interrupt them, Walert realises that the birds have something to teach her, too.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeaturing\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003eWurundjeri\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003elanguage and glossary, this is a stunning book about learning from Country .\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAunty Kim Wandin\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis a masterweaver and Wurundjeri Woi-wurrung Elder. She lives in Healesville. Her traditional basket making has been handed down to her by direct lineage. Aunty Kim’s work represents a significant cultural position within the south east of Victoria as part of an important group of arts practitioners.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eChris Joy\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis a writer, artist and curator who is a full time creator of public art. She lives and works in the Yarra Valley, Victoria. Chris has developed many children's literature programs, events and exhibitions in cultural organisations and was on the design team for the award-winning Ian Potter Foundation Children's Garden at the Royal Botanic Gardens, Melbourne.\u003c\/p\u003e\n\u003cp\u003eIllustrator\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAshleigh Pugh\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eis a descendant of Whadjuk ballardong, who has developed her own distinctive style of blending traditional wood burning technique with painting. 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